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rock crusher attenuator review

rivera rockcrusher power attenuator review. what users say? - home studio expert

rivera rockcrusher power attenuator review. what users say? - home studio expert

As we all know that a perfect balance of v0lume with the kind of lyrics will make the music even more better. Volume also helps to pump up every performance . And to make everything perfect, the attenuators comes into the picture. The attenuator has made it possible to cut into an amp or even to change the circuit to fix the master volume.

The Rivera Rock Crusher lets you turn up the tube amp to the sweetest tonal spot it can attain. By keeping it in the middle of the speaker cabinet and amp, one can easily crank up the ton of the amp even when the volume is kept down.

It also keeps a balanced relativity between impedance and the reactance (inductive/capacitive). Talking in terms of the guitar, it helps in pushing the amp to its upper limit, while doing so it helps the tubes attain their tonal potential even while keeping the volume low.

The Rivera Rock Crusher has a power handling capacity of about 120W RMS, and an impedance of 8/16 ohms. The input channelizes in the form of 1*1/4 of the amplifier; and the output is in the unit of 2*1/4 measured from the speaker output, and from the line out in 1*XLR, 1*1/4.

This amazing product is remarkably known for its versatility as it can be used as a power attenuator and even as a load box while sending out the balanced XLR or the unbalanced line out to the other amp as a slave; and also send the output to a mixer for the purpose of recording and even for live.

The product is build into a reactive load of networks which helps achieve proper speaker to amplifier interaction. The counterparts available out in the market which have purely resistive loads; the rivera rock crusher comes with a surety that both the amplifier and the speaker sees each other in a perfect relation of both the impedance and the inductive/capacitive reactance.

This further helps translate to a much superior tone, regardless of the level. Also, it helps achieve and enhance the tonal balance, shimmer and warmth, and in order to achieve this; the product comes with edge and warm switches which helps one have a total control on the final output.

In addition to all of this, the product provides a much superior tone and impedance which matches perfectly with the longevity and the good health of the amp. Also, the 8/16 ohm selector of the crusher can be easily switched so as to attain an accurate match with the cabinets and amplifier.

As well the inbuilt features makes it user friendly both onstage and in the studios as well. One can even use the amp along with a speaker cabinet even when a full output level is required; and in order to achieve so, the crusher is imbibed with a front panel bypass switch which helps remove the entire load.

In order to achieve a low speaker volume, the studio position of the selector attenuator level enables the control level of the studio to help adjust from a low to a quiet output, which is ideal for project, home and also studio recordings.

The balanced XLR and the unbalanced jacks of the phone allow interfacing with every audio equipment. Imbibed with two speaker jack the crusher provides an easy connection with up o two speaker enclosures. A bullet proof construction is one of the USP of the Rivera equipment.

A heavy- duty and the rugged industrial grade components are used to make the make the product much reliable, and one of the cool-running service; and the side chassis of the Rock Crusher facilitates the mounting of the ear racks and other brackets for a much professional installation.

2.Consistency at its best: Used along with Egnater 65 head, the user easily sets off the effects pedal parameters to match up with the amp without any gig volumes or blast. It also helps keep the tone perfect consistency. The great tube tones can be enjoyed well in quite settings and the user easily knows when they crank up the volume, the amp and the effects pedal starts to sound the same and consistent.

3.The perfect topping to the tone: This specially altered boutique amp easily breaks up and provide a mesmerizing perfect tone. This 20 watt amp is loud enough to provide you with the amazing jazz. Also, it attains the volume to the studio level without even compromising on the great tone. Built perfectly for lifetime use, it is versatile and pretty user friendly and also a true value for money.

4.The phenomenal piece: A perfect solution to the amp which solves the problem of loudness even at the lowest gain settings. It makes it possible for the user to even crank the boogie, without even bothering the neighbors. A onetime investment; it is totally worth and is imbibed with amazing studio applications.

5.The Perfect tone for every Occasion: The tube amp coordinates with the load of the impedance which is put on the amps output by the speaker cabinet. The hooking the direct output of the amp to a recording device, the desired tone wont be achieved. The Rivera Rock Crusher interacts with all the amp tubes and thus provides the articulate desired tone. The user can thus harness all the tones, which are designed to put out, thus eventually getting the sound of the pedals and amp; and all that without even worrying about the volume. When onstage, it lets the user achieve better monitoring situation even at decreased volume of the stage. In a nutshell, it provides a no compromise guitar tone, even without bleeding the sound into the other mics.

The entire task of attenuation is no childs play. It requires a lot of serious work and perfection. Apart from the factor which is outside of the tone, the major consideration is about retaining the feel, response and touch that every individual loves at a higher volume.

The Rivera RockCrusher did a commendable job, by providing and retaining with much reactive load. The durability and the amazing look of the product lets save the amps from just being chopped off with all the unnecessary modifications.

It can safely handle up to 100 watt tube of amps with much headroom to be spared. It is the perfect product to help you out in every occasion and lets you work with your amp, in any and every situation.

There are many great ways to help with sound absorption in your home recording studio, and acoustic foam is a great option. Unfortunately, sound-absorbing materials, particularly acoustic foam, tend...

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rivera rockcrusher power attenuator and load box | the big | reverb

rivera rockcrusher power attenuator and load box | the big | reverb

In addition to providing superior tone, impedance matching is critical for your tube amps health and longevity. We gave the RockCrusher an 8/16-ohm selector switch so you can use either value to accurately match your cabinets and amplifiers. We also built in features that ensure the Rock Crusher is easy to use both onstage and in the studio. For bypass on the fly, which lets you use the amp with a speaker cabinet when full output level is desired, we included a front-panel full bypass switch that removes the load entirely. When low speaker volume is desired, there is a Studio position of the Attenuator Level Selector that enables the Studio Level control to adjust from low to quiet outputperfect for home, project, and studio recording. Balanced XLR and unbalanced phone jacks with a convenient front-panel level control allow interfacing with practically any audio equipment. Two Speaker jacks allow easy connection with up to two speaker enclosures. Bullet-proof construction, a standard feature of Rivera equipment, is also engineered into the Rock Crusher: Within the 16-gauge welded steel chassis of the RockCrusher, heavy-duty and rugged industrial-grade components used throughout, designed to give you years of reliable, cool-running service. In addition, both sides of the RockCrusher chassis facilitate mounting rack ears or other brackets for professional road case installation.

This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. Items must be returned in original, as-shipped condition with all original packaging.

rivera rockcrusher recording review best guitar amp attenuator for recording?

rivera rockcrusher recording review best guitar amp attenuator for recording?

Rivera already had a hit with the RockCrusher, known among studio pros for being one of the most transparent guitar amp attenuators around. Now the Rivera RockCrusher Recording adds a 100% all analog 11-band EQ Speaker Emulator to Riveras acclaimed attenuator and load box. This results in what may not only be the most versatile solution for attenuating your amp during recording, rehearsal, and performance, but one of the best options for recording guitar youll find. Compared to run of the mill guitar amp attenuators, the RockCrusher Recording gives you the added flexibility of being able to emulate the sound of various speakers and cabinets for direct out recording and/or sending your signal directly to a front of house mixer or recording console. This product could achieve the monumental task of perhaps becoming the ultimate stage and studio Swiss army knife for guitarists and producers who swear by authentic tube amp tone. Its a lofty goal, but perhaps Rivera is up to the task.

O the perils of recording guitar and achieving the best possible guitar amp tone. While the past decade has seen a steady rise in guitar amp simulation software and hardware processors, many seasoned guitarists still swear that real tube guitar amplifiers deliver unparalleled tone, dynamics, and responsiveness or feel that digital amp emulations will never match. But when recording and performing with an all-valve guitar amp, some issues do arise. Finding your guitar amps sweet spot often results in a volume level considerably louder than may be practical to use during rehearsal, performance, and/or recording. Thus a guitar amp attenuator can be used to reduce the power level that reaches your speaker cabinets, resulting in a more manageable volume level.

The problem with most guitar amp attenuators is that there is often a noticeable compromise in sound quality and playability, a deadening of your original unattenuated sound. Sometimes its the tone thats altered. Maybe you notice a difference in the feel of your amp. Whatever it is for you, a price is often paid when using most attenuators, and thats usually a sacrifice of the perfect amp tone that youre trying to preserve.

I was actually looking for an isolated speaker cab when I stumbled across the RockCrusher Recording. I figured the best way Id ever achieve convincing miked speaker tones at managable volume levels was if I recorded an actual speaker with a mic. I came across the Rivera Silent Sister isocab (the only product I could find that didnt suffer from the notorious air sucking problem most iso cabs have). I thought my search was finally over. But then I discovered that Rivera also made the RockCrusher Recording, a possible solution that might negate the need for miking a cab altogether.

While the RockCrusher may be a formidable attenuator, supposedly offering some of the most transparent attenuation around, theres still the issue of miking and recording a cabinet and all the variables of microphone type, mic placement, speaker size, speaker model/brand, etc.

Its important to understand that a speaker is essentially an analog, mechanical filter. All those treasured speaker tones are the result of a speaker filtering the sound coming from your amp. (If youve ever played a single amp head through a variety of cabs, you already know how speakers can dramatically alter your tone.) The RockCrusher Recording essentially offers the ability to filter your sound with its analog 11-band EQ section thats focused on guitar-centric frequency bands according to Rivera. Theoretically, the EQ could be graphed to achieve results similar to recording sound from a speaker with none of the headaches associated with using mics! If youve ever accidentally moved a mic between recording sessions and dealt with the frustration of trying to find that perfectly placed mic tone again, you already know how frustrating this can be!

But even if the RockCrusher Recordings EQ delivers speaker-like tones, its important that the attenuation doesnt kill the tone and feel of your amp before it hits the EQ. The RockRec must be judged on all its possible areas of merits and faults.

So is the RockCrusher Recording worth the hype? Is it really the best guitar amp attenuator for recording? Youll find out in our Rivera RockCrusher review. Heres a feature list before we start rocking.

I want to first start off by pointing out that I was very skeptical of the RockCrusher Recording in almost every way Well, except that is, knowing that it would live up to Riveras ultra-high build quality. Yes, let me get this out of the way. The RockCrusher Recording is built like a tank, made to withstand years of use and abuse in the studio and on the road. In terms of sheer build quality, its yet another testament to Riveras artisan craftsmanship, reliability, and dedicated built-in-USA workmanship that earns the brand a spot among the few most esteemed boutique gear makers. I spent well over 6 months with the RockCrusher Recording before setting out to write this review. Ive never had a moment to doubt its reliability. And in that amount of time Ive had more than enough experience to assess how it sounds.

While theres generally an associated loss in playability when using attenuation, I found myself pleasantly surprised with Riveras unit. The RockCrusher Recording performs admirably at retaining the response and feel while attenuating your guitar amp. Your amp still feels as vibrant and lively as it does when the unit is bypassed.Basically, it doesnt feel like the RockRec is tainting that organic connection between your amp head and speaker cab.

As for the RockCrusher Recordings tone and this is the area of the most controversy when using amp attenuators I would say that I do sometimes hear a very slight decrease in high-end when engaging the attenuation. (Then again, Im always looking for it!) The RockRecs Edge switch seems to compensate for this pretty well, adding a slight touch of presence to the sound while not coloring the tone. Also, a very slight twist of my amps Treble knob helps return the sound to the exact tone I was hearing without attenuation. Theres even a Warm switch available to restore low-end from the attenuated signal, but I heard no cause to use it unless you just want to fatten up your sound a little.

Ive gone through several periods of A/B testing the RockCrusher Recording with and without attenuation on clean and overdriven amp settings. Sometimes the difference is very negligible, if noticeable at all. Sometimes its slightly more prominent. Sometimes I feel like I dont need to use the Edge switch. Sometimes, I do! Whats going on here? I kind of feel that the Fletcher and Munson audio curves are coming into play. Our ears hear sound a little differently at various volume levels. As volume levels decrease, so does our perception of higher and lower frequencies; their volume seems to decrease faster than that of midrange content. This means that when attenuating an amp, we might be jumping the gun when blaming the attenuator for the drop in treble and bass that were hearing. While attenuation has a reputation for altering tone, partly to blame on all the low-budget attenuators out there, its possible that the change in volume levels of certain frequencies when attenuating your signal may also be partly just a perceived loss of high and/or low frequencies. Either way, whether or not its our ears playing tricks on us, the difference in the RockRecs attenuated sound is minimal if present at all and can be easily compensated for to achieve the original sound of your amp at higher volume levels. I doubt most people would notice the difference in a blind test of bypassed and attenuated signals recorded and played back at the same volume level, especially if you make the minor adjustments to any difference that your ears hear. In the attenuation department the RockCrusher Recording excels at retaining the overall tone of your amp, with any slight difference in sound being easily remedied with the Edge and Warm switches or a slight nudge of your amps treble and bass controls. Your amp will still sound like your amp.

The biggest Wow! factor of the unit is easily the 11-band EQ, which is clearly why anyone would consider getting this unit over the standard RockCrusher. Rivera really went all out here to deliver what is probably the most flexible piece of hardware for recording an amp. As I mentioned previously, speakers have a dramatic effect on your overall tone, and the RockCrusher offers a way to replicate an EQ curve that parallels those of the most beloved speakers around. Rivera even offers several examples of EQ curves from classic speakers miked with a Shure SM57 (the most popular mic for recording guitar speakers) on the RockCrusher Recording page to get you as close to the tones of a real miked speaker as possible. While these curves may approximate the qualities of these classic speakers, in practice I find myself generally starting with a flat EQ on the RockCrusher Recording and just listening for a sound I like, giving a boost or cut to any frequencies in a way I find personally pleasing at any given moment. The unit often becomes like an extension of my amps tone controls and helps me fine-tune my overall sound when using pedals (like, for example, adding some extra cut at 750 Hz when using the Rivera Metal Shaman for an extra-scooped sound).

Id heard that the RockCrusher Recording has already been becoming a go-to studio tool for recording professionals which is not surprising considering how versatile it is. (The YouTube vid with Slash above is a case in point.) If you know your way around an equalizer, youll most likely be able to dial in a curve thatll help guitars sit well in your mix on stage and in the studio. Theres an EQ on/off switch on the unit as well. This lets you bypass the EQ to record the full range sound of an amp for the flexibility of using software emulation or re-amping, so to speak, using the RockRec. The RockCrusher Recording is indispensable in professional and home studios alike simply for the unparalleled versatility in tone it offers when recording a real tube (or solid state!) amplifier.

There are other useful features to mention as well. A Pad switch gives you either a 5 or 10 dB pad, useful when running ultra high-wattage amps through the unit. When attenuating, the big Attenuation knob will give you 5 choices or overall reduction, with the last option, Studio, having its own Level control for smoother incremental adjustments at lower volumes.

At my most critical I would say that, yes, I do hear a very slight reduction of high-end when I repeatedly A/B the attenuation. Its not a coloration of the tone, per se, and is easily remedied with minor adjustments, but very sharp ears should be aware. But know still that youll most likely see an improvement compared to the low budget attenuators around. Most importantly, amp feel and response are retained. The unit is big, but thats so the RockCrusher Recording can handle 150+ watt loads while dissipating the heat with ease. Rivera did not want to compromise in making the ultimate guitar amp attenuator. The unit doesnt attenuate loads at 4 ohms, just 8 and 16. But thats probably the majority of applications anyway.

Essentially, this is the piece of gear I rely on most at Best Guitar Effects when testing outpedalsfor review and when recording guitar pedal demo videos. (Im also a big fan of Riveras Venus 5 amp head.) This baby is sees a lot of playtime and will for the foreseeable future. Sometimes its powered on for extended periods of time and never gives cause for concern. Ill just rephrase what Ive already said on myReview Gear page. The Rivera RockCrusher Recording is the most vital piece of gear I use for recording. If I do switch amp heads, speaker cabs, or guitars, the RockRec always still remains in the chain. This is the amp attenuator to get and, dare I say, the one competitors should look to beat. With that said, Ill keep my money on Rivera as the likely king of the hill in the realm of amp attenuation.

The Rivera RockCrusher Recording is without a doubt the best guitar amp attenuator on the market, and its also the most versatile solution youre likely to find for recording an all-valve amp. Whether youre a professional studio engineer or home recording hobbyist, the RockRec will be a serious upgrade to your recording arsenal. Its integrated 11-band EQ offers analog speaker emulation for ensuring an accurate reproduction of your miked amp-and-cab sound in the studio and on stage. The RockCrusher Recording simply rocks.

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